Yesterday I went back to Kettle's Yard Gallery in Cambridge and, although there wasn't an exhibition on, the house, which sits alongside the gallery and was the former home of Jim and Helen Ede between 1958 and 1973, was open after being closed for refurbishment. Jim Ede studied art and became a painter but gave up painting when he was appointed curator at the Tate Gallery in the 1920-30s. The Ede's moved to Cambridge in 1956 and renovated four derelict cottages to create Kettle's Yard which, besides being their home, also houses their collection of artworks, furnishings and natural objects. The vision was that the house would become a place in which art could be enjoyed as part of everyday life - and oh what a lovely vision - you are surrounded by art from paintings to simple domestic objects, sculpture, books, wonderful furniture and fittings, stones and shells - everything perfectly placed. One visit is certainly not enough to take in everything from the beautifully distressed light fittings to the piece of wood riddled with holes propped up by the window downstairs which on enquiry turned out to be an old broom head - fabulous.
Photography is allowed and also you are allowed to sit in any of the chairs (which are an eclectic mix of wonderful shapes) - some of the art is displayed in quite low positions so sitting down allows you to get a better view of some items and to just enjoy the atmosphere of the house.
The house is full of character and natural and domestic objects sit perfectly displayed alongside paintings and sculpture, together with the light, space and simplicity it is a lovely place to visit.
Of course, one of the reasons I love going to Kettle's Yard is to see the paintings by Alfred Wallis and to my delight there were some of his paintings in the library extension. I particularly like his landscapes and his trees rather than his boat and harbour paintings for which he is mostly known - it was really good to actually see the original paintings.
Before this visit I had prepared a new note book cum ideas/photo/sketch book and had decorated the cover using a postcard of a painting by Alfred Wallis, together with papers and fabrics (pictured below). First of all I removed about a quarter of the hard book cover from the front of the book so that the pages behind will be revealed/become part of the cover. Then using my sewing machine (without thread) I stitch round each of the little houses with the needle to create perforations so that they could be removed without using scissors. I then assemble and stitch and apply my collage of fabrics, papers, etc. to the hard book cover. On the pages behind the cover I have applied part of an old, original, mortgage document (dated around 1800) and behind that is a copy of a print I designed and printed when EAST hired the print room at Gainsborough House in Sudbury.
My book cover
My print which I did at Gainsborough House in Sudbury
The original plate that I prepared
I have also started yet another rolling landscape inspired by Alfred Wallis trees (see below) and after today my mind is, once again, buzzing with ideas - so much to do, so little time.
The start of my new Rolling Landscape based on the trees of Alfred Wallis.